Glossary
Frameworks AdRevila cites.
Every reference in an AdRevila report links to a primer here. Each entry names the concept, where it comes from, and how to use it in DTC creative.
- 5 Stages of AwarenessEugene Schwartz, Breakthrough Advertising (1966)
Eugene Schwartz's five buyer awareness stages — Unaware, Problem-Aware, Solution-Aware, Product-Aware, Most-Aware — and how to match ad copy to each one.
- 5 Stages of Market SophisticationEugene Schwartz, Breakthrough Advertising (1966)
How saturated a market is with competing claims — and which copy strategy wins at each of the five stages, from plain claim to identity.
- Ad-to-LP ContinuityEli Weiss / DTC creative practice
The ad's hero promise must be visible within the LP's first viewport. When ad and landing page don't match, CVR drops and so does repeat purchase rate.
- AIDA — Attention, Interest, Desire, ActionElias St. Elmo Lewis, ~1898
The oldest direct-response framework, coined by Elias St. Elmo Lewis ~1898. Four sequential stages — Attention, Interest, Desire, Action — each must be earned before the next. Default structure for Solution-Aware cold prospecting.
- AuthorityRobert Cialdini, Influence
Humans defer to credentialed sources in domains where they lack expertise. In DTC ads this shows up as named experts, certifications, institutional backing, and press mentions framed as endorsement.
- BAB — Before, After, BridgeDirect-response copywriting
Three-part copy structure for transformation products. Before names the buyer's current state, After paints the desired outcome, Bridge introduces the product as the path between them.
- Bold Statement HookHook archetype taxonomy
A hook archetype that opens with a specific first-person claim bold enough to create disbelief or curiosity — both responses keep viewers watching. Strongest for transformation products on cold traffic.
- Channel Desire, Don't Create ItEugene Schwartz, Breakthrough Advertising
Schwartz's law — ads can only direct existing mass desire onto a product, never manufacture desire from scratch. The ad connects a hard-wired want to your offer.
- Cialdini's Seven Principles of InfluenceRobert Cialdini, Influence (1984) + Pre-Suasion (2016)
Seven research-backed levers — reciprocity, commitment, social proof, authority, liking, scarcity, unity — that shift buyer behavior. The most-cited persuasion framework in advertising.
- Commitment & ConsistencyRobert Cialdini, Influence
Cialdini's second principle — humans act consistently with past behavior. A small yes (quiz answer, email opt-in, free trial) builds psychological momentum toward a larger purchase commitment.
- Concept vs Variation TestingDTC creative-testing practice
Test distinct concepts (different angles) first to find a winner, then test variations (one element changed) of that winner. Sequence them — mixing makes results unreadable.
- Creative Angle / ConceptDTC creative-strategy practice
The lead angle an ad takes on a product — problem-solution, social-proof, founder-story, before-after, unique-mechanism, and more.
- Creative as TargetingMeta Andromeda / AI ad ranking (2025+)
On AI-driven ad platforms, the creative itself signals who sees the ad. Broad targeting plus angle diversity is now the primary audience lever.
- Creative Diagnostic LadderMotion / performance-creative practice
Hook Rate → Hold Rate → CTR → CVR: a four-step framework that maps each metric to the creative element responsible, so you fix the right thing.
- CTA commitment — low, mid, highDirect-response copywriting + landing-page practice
Three-tier classification of call-to-action ask size. Low-commit ("Learn more") fits cold traffic; mid-commit ("Shop now") fits Solution-Aware buyers; high-commit ("Buy now") fits warm retargeting. Mismatch is the most common DTC conversion leak.
- Direct Address HookHook archetype taxonomy
Hook archetype that opens with an explicit second-person qualifier — "If you're a [type]…" — so the right viewer self-selects in and the wrong viewer swipes without wasting budget.
- DTC performance metrics — CTR, CVR, AOV, ROAS, LTVPerformance marketing
Reference for the metrics tagged in teardown reports — hook rate, thumbstop ratio, completion rate, CTR, CVR, AOV, ROAS, LTV. Knowing what each measures helps you read teardown observations with intent.
- FAB — Features, Advantages, BenefitsDirect-response copywriting
Copy translation framework that converts product specs into buyer outcomes. Feature = what it is; Advantage = what the feature does; Benefit = what the buyer actually gets. The Benefit is what goes in the ad.
- Guarantee TypesAlex Hormozi, $100M Offers (2021)
Hormozi's four guarantee types — Unconditional, Conditional, Anti-guarantee, and Implied — and when each one lifts CVR by removing perceived risk.
- Hold RatePerformance-creative metric
The share of viewers who watch through the body of an ad after the hook — the script's primary KPI. Target is roughly 25%+.
- Hook · Story · OfferRussell Brunson, DotCom Secrets (2015)
Russell Brunson's 3-beat spine for short-form video ads: Hook stops the scroll, Story builds the want, Offer makes the ask.
- Hook / Body / CTA FrameworkPerformance creative industry standard (Motion, MagicBrief, Sovran)
Hook, Body, CTA — the three structural slots every performance-creative dashboard uses. Hook (0-3s) stops the scroll. Body persuades. CTA closes.
- Hook RatePerformance-creative metric
3-second views divided by impressions — the top-of-funnel attention metric for video ads. Target range is roughly 30–40%.
- Life Force 8Drew Eric Whitman, Cashvertising (2008)
Drew Whitman's 8 hard-wired biological desires behind all buying: the primary wants you can't create, only channel into copy and creative.
- LikingRobert Cialdini, Influence
Cialdini's fifth principle — people are more easily persuaded by those they like. Familiarity, similarity, and attractiveness all trigger liking automatically. The lever behind UGC, creator partnerships, and friend-style copy.
- Modular Creative / 3-3-3Pilothouse
A modular testing system: 3 concepts × 3 variations × 3 hooks. Build so any module swaps independently, then iterate one element at a time on a proven winner.
- Narrative script structureCreative-strategy industry practice
A continuous story arc — character → tension → resolution — instead of a structured pitch frame like PAS or FAB. Often outperforms structured frames on warm traffic and considered purchases.
- Ogilvy on AdvertisingDavid Ogilvy (1983)
Ogilvy's bridge between brand and direct response: research-led craft, headlines do 80% of the work, and the consumer is not a moron.
- PAS — Problem, Agitate, SolveDirect-response copywriting
A three-part body structure — name the problem, amplify the pain, present the solution. The default copy framework for Problem-Aware audiences.
- PASTOR — Problem, Amplify, Story, Testimony, Offer, ResponseRay Edwards / John Meese
Ray Edwards' six-part long-form copy structure: Problem, Amplify, Story, Testimony, Offer, Response. PAS expanded to handle objections and close the sale explicitly.
- Pattern Interrupt HookHook archetype taxonomy (TikTok / Meta)
A visual, audio, or textual break against feed norms in the first 1-3 seconds. The default hook archetype for Meta cold traffic.
- Proof-First HookHook archetype taxonomy
Opens with a number, result, or named third-party before introducing the product. Best for high-skepticism categories where proof earns the hook.
- Question HookHook archetype taxonomy
A direct question in the first 1-3 seconds that the viewer answers in their head before deciding whether to keep watching. Best for Problem-Aware audiences.
- ReciprocityRobert Cialdini, Influence
Cialdini's first principle — giving value first creates an unconscious obligation to reciprocate. In DTC ads this means free guides, free trials, and educational content before the pitch.
- ScarcityRobert Cialdini, Influence
Cialdini's sixth principle — reduced availability increases perceived value. Real scarcity (limited stock, genuine deadlines) closes fence-sitters. Fake scarcity (resetting timers, permanent "limited" badges) permanently erodes trust.
- Scientific AdvertisingClaude Hopkins (1923)
Hopkins's foundational text: advertising is salesmanship in print. Test everything, sell with specific reasons-why, and make every response trackable.
- Social ProofRobert Cialdini, Influence
Cialdini's third principle — when uncertain, people look at what similar others have done. Reviews, star ratings, testimonials, volume counts, and behavioral cues ("selling fast") all activate this lever.
- Steal the Strategy, Not the AdDTC creative practice (codified by Needle)
When you see a winning competitor ad, identify the underlying mechanism — Schwartz stage, hook archetype, offer structure — then re-execute it with the surface your category needs.
- Tested Advertising MethodsJohn Caples (1932)
Caples's headline-testing bible. One headline change can swing response 10-20x — the methodology that made A/B testing a copywriting discipline.
- The Boron LettersGary Halbert
Gary Halbert's prison letters to his son: pick the starving crowd before the product, then write with voice, urgency, and relentless specificity.
- Thumbstop RatioNick Shackelford
The 3-second view rate divided by impressions. The canonical KPI for hook strength on Meta + TikTok cold traffic.
- Ugly-Native AestheticBarry Hott
Ads that look like organic content beat polished brand films on cold traffic. The core principle behind UGC-style DTC creative.
- Unique MechanismEugene Schwartz + modern DTC
The specific, proprietary reason a product works — the 'how' that separates a claim from a commodity once a market hits Schwartz sophistication Stage 3+.
- UnityRobert Cialdini, Pre-Suasion
Cialdini's seventh principle (added in Pre-Suasion, 2016) — shared identity creates trust before credibility is established. "We runners," "for makers, by makers," and founder-led origin stories all invoke Unity.
- Value EquationAlex Hormozi, $100M Offers (2021)
Hormozi's offer-quality formula: (Dream Outcome × Perceived Likelihood) / (Time Delay × Effort & Sacrifice). Score each lever to find where your copy is leaking.
- Visual style — ugly-native, mid, producedPerformance creative practice
Three production tiers for classifying ad aesthetics: ugly-native (organic UGC feel), mid (creator-led with light production), and produced (studio polish for brand-led campaigns).